We enter “filmekimi” from months. Cinema lovers from Istanbul are waiting for a movie-filled calendar between 7-16 October.
Filmekimi, organized by İKSV for the 21st time this year, is getting ready to meet with moviegoers in various movie theaters of Istanbul between 7-16 October. The ticket sales of Filmekimi, which will bring the newest films that have won awards from festivals, to the audience, will start on October 4. The films will be screened at Atlas Cinema, Cinewam, Kadıköy and Sinematek cinemas this year. We have compiled some of the films on Filmekimi’s list for our cinema-loving readers.
“White Noise” by Noah Baumbach
“White Noise”, Noah Baumbach’s first film since “Marriage Story”, explores universal mysteries such as love, death, obsession, and the possibility of being happy in a world with an ambiguous future, while an American family deals with the ordinary problems of daily life in the 1980s. We watch their work to solve such problems. Adam Driver plays the lead role of the film, which develops a critique against the consumer society, publishing culture, conspiracy and information pollution frenzy.

“Stars in the Noon Sun” by Claire Denis
Returning with the Grand Prize from the Cannes Film Festival, “Stars in the Noon Sun” is a romantic action full of passion and excitement set in Nicaragua. The soundtrack of the film, which was shot in Panama, consists of the compositions of Stuart Staples from Tindersticks, as in most of Claire Denis’s films. Adapting the poet and writer Denis Johnson’s novel of the same name about her experiences in Nicaragua during the civil war, Claire Denis describes her film as follows: just like in the book, the violence that shook the country can only be seen from afar in the film.”

“Close” by Lukas Dhont
Award-winning from Cannes and Belgium’s Oscar nominee, “Close” deals with the growing pains of the transition from childhood to adolescence. When two very close thirteen-year-old friends, Léo and Rémi, suddenly lose their friendship, Léo, unable to understand what happened, decides to consult Rémi’s mother, Sophie. The seeds of the film were sown when director Dhont visited his primary school. The director says that he still cannot reconcile with the painful experiences of his primary school years. Friendship, intimacy, fear and masculinity are the words at the heart of the story.














