The much-anticipated fair of this year was Frieze London. Frieze London announced that it exceeded expected sales, especially with its Frieze Masters section. Thus, many people and art writers had only one question in mind: Are we back to the old ways of working?
The return of mega fairs, which was seriously injured in 2020, was with sudden and unexpectedly high sales. The most-awaited fair of this year was Frieze London. Frieze London announced that it exceeded expected sales, especially with its Frieze Masters section. Thus, many people and art writers had only one question in mind: Are we back to the old ways of working? And will the old international sales and the return of mega fairs be this fast? Fair director Eva Langret who says, “We are very happy to be back”, tells that the fair is “really” returning to its old days with the newly added Mayfair (Mayfair Cork St., No. 9) venue.
The first year I visited the Frieze Fair was 2008 and it had been five years since the fair started. At that time, the fair was not yet making headlines in London but there were many articles about the news that a new breath was brought to the city, how art can become more popular, the increase in the influence of galleries, and how this fair, which has a high sales potential, made its name in the international art environment. The fair has grown over the past 18 years and has managed to become one of the world’s mega art fairs. Over the years it has expanded to Los Angeles, Seoul, and New York and, more importantly, has expanded its headquarters in London.
After a very rapid rise in London, it signed an innovation that set an example to the whole world with the Frieze Masters section in 2012. Thanks to Nathan Clements-Gillespie, director of Frieze Masters, the fair has moved beyond simply being a contemporary art fair and has taken on a larger role. It offered a new perspective to the art of the 20th century by bringing together the art history that has been shaped and changed over the centuries, collection pieces and ancient works in the Old Masters section. Frieze London’s perspective on art was clear: bringing contemporary art together with old times and offering a new perspective. It did not take long for it to reach everyone with the sales and innovations at the fair, and to gain value in the international arena.
While Frieze Masters brings together 130 art galleries from all over the world in 2021, in the field of contemporary art, the fair manages to present 159 galleries in Regent’s Park. This year, it aims to reach art audiences all over the world, not just physically but also with its Online Viewing Room by considering the hybrid system, in Frieze London. Artists, collectors, art historians, art writers, curators, and art professionals from 40 countries are also participating in the talking program of the fair.












